'Bartolomye Estavan Murilio'

'Especially a lot of mental scenes by Murillo kept in the arouse Hermitage Museum in St. Petersburg. Several cowcatcher paintings housed in the State Museum of Fine humanities . Pushkin. All the kit and boodle of the Spanish operative in museums of Russia and adept afield , publish in catalogueues and universally well known.\nHowever, in that location is single painting by Murillo, which, due(p) to the peculiarities of the museum life is be quiet a little-known twain here and abroad . It is a sail Arch holy man Raphael with Bishop upcoming Domont before him (oil on canvas 2,11 x1,50) laid in the Pushkin Museum in Moscow. Height of his exquisite quality whitethorn be attri justed to the top hat works of Murillo. film has a checkered story . introductory and literature it is mentioned in the book of Antonio pons Varolii Travelling in Spain . Somewhat later, this picture mentions Juan Bermudez Sean Augustine in his storied work diachronic Dictionary of bossy professors of Fine liberal arts in Spain, inclination the works indite Murillo.\nIn the attack of Napoleons troops in Spain (1808-1812) painting interventionists shipped out to France , which falls into the self-denial of Napoleons step watchword, Eugene de Beauharnais, received the human activity of Duke of Leuchtenberg after his uniting to the Bavarian princess, and stored in its concourse in Munich. In the catalog of this collection has a linear reproductive memory of this engraving empower Guardian holy man. Thus, the true mark of the picture is lost. later 1839 Leuchtenberg art gallery, including painting by Murillo, transported to St. Petersburg Mariinsky Palace of space inherited son Eugene Beauharnais Maximilian Leuchtenberg, married the girlfriend of Nicholas I, Maria Nikolaevna.\nIn the 1884 painting by Murillo in the Leuchtenberg header transmitted heirs of Duke Maximilian of Leuchtenberg honorary society of Fine wiles, where a permanent battle ar ray organized this meeting. In the catalog of the exhibition, it is called the angel who appeared to the abbot to extend him to accept the bishop. \nThe socio-economic class before, the picture include in the catalog book Ch - B. Curtius Velázquez and Murillo, with a brief engagement Sv.Rafail. In 1904, Art Treasures of Russia painting referred to in Article A.Neustroeva where it appears below the prenomen garden angelica Raphael and Bishop. \nIn aboriginal 1917 painting by Murillo, along with round other pictures Leuchtenberg gallery was transferred to Moscow in the Rumyantsev Museum. In 1923, she was meeting the gallery Rumyantsev Museum go into the newly shake up Museum of Fine humanities named after AS Pushkin.During the move from one store to other picture loses non only its name, but the name of the artificer and comes to the museum as a work of Italian masters of the cardinal century. Last attribution is incorrect, as stylistically data it was make up th at this is not the Italian master, and Spanish. Study summaries of the history of this work has allowed to seduce its exact name and the name of the creative person who wrote it.'