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Tuesday, May 28, 2019

Critiques of Ernest Hemingways Novel, Death in the Afternoon Essay

Critiques of Ernest Hemingways Novel, Death in the Afternoon Ernest Hemingways Death in the Afternoon shows a new side of Hemingways writing which initially disappointed the critics. Published in 1932, Death in the Afternoon was not the expected fictional novel, but instead was more of a nonfiction exposition of bullfighting and Spanish culture in the 1920s and 1930s. In Curtis Pattersons words, It is a tripartite work bullfighting in Spain, plus semi-autobiographical details of the author, plus smut. The smut is lugged in by the ears, is unnecessary, is not amusing. The semi-autobiographical details make me faintly sick at my stomach. The explanation of, guide book to, apology for bull-fighting is absorbingly interesting.1 This books focus on bullfighting is a complete transformation from Hemingways previous novel A Farewell to Arms, which focuses on the war. Many critics see through this switch in subject matter, however, and purport that Hemingways focus on bullfightin g is really just a different way for him to express his emotions towards the war. According to Malcolm Cowley, Hemingway had found in bullfighting an emotional modesty for the war. It provided everything, travel, excitement, crowds like armies watching the spectacle of danger.2 The violent descriptions of the death and injuries of the bulls, horses, and bullfighters are expressions of his pent up feelings towards death and the war. When this book was first published, it sold poorly, in part because of the depression, and excessively because of the strange topic of bullfighting, which was unfamiliar to his readers. Although his writing style was still praised and respected, his subject matter was widely criticized, as H.L. Mencken... ...has interesting biographical facts and many pictures of Hemingway on his travels. www.lostgeneration.com/keywest.htmThis website has clear comments by Hemingway and reviewers about Death in the Afternoon, and his trips to Spain. 1 Stephens, Robert O., ed. Ernest Hemingway The Critical Reception. New York Burt Franklin & Co., Inc., 1997 p 1182 Ryan, Frank L., The Immediate Critical Reception of Ernest Hemingway. Washington, D.C. University of America Press, 1980 p. 193 Stephens, p. 1234 Meyers, Jeffrey, ed. Hemingway The Critical Heritage. London Routledge &Kegan Paul Ltd., 1982 p.1735 Stephens, p. 1216 www.lostgeneration.com/keywest.htm7 Meyers, p. 228 Stephens, p. 1159 Stephens, p. 119 10 Stephens, p.10911 Stephens, p. 10812 Stephens, p. 11113 Stephens, p. 13114 Meyers, p. 2215 Meyers, p.24 16 Stephens, p. 112

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